Empirical Track Pack
更新时间:2020-08-24 14:42:14 信息编号:4504234 发布者IP:106.37.106.238 浏览:160次![](http://img4.11467.com/u/23597875/198077867.jpg)
- 供应商
- 北京麦田中旺数码科技有限公司 商铺
- 认证
- 资质核验:已通过营业执照认证入驻顺企:第9年主体名称:北京麦田中旺数码科技有限公司组织机构代码:110105011639690
- 报价
- 人民币¥1.00元每30000
- 品牌
- Empirical Labs Track Pack
- 型号
- Empirical Labs Track Pack
- 11
- 22
- 关键词
- Empirical Labs Track Pack,Empirical
- 所在地
- 北京市朝阳区百子湾路16号百子园5号楼A单元707室
- 手机号
- 18600607968
- 项目经理
- 刘先生 请说明来自顺企网,优惠更多
产品详细介绍
tel: 项目经理:博乐
供应销售empirical全线产品!
the empirical labs mike-e™ is a modern digitally controlled microphone preamplifier chocked with unusual features to warm and soften the source, along with an excellent compressor/limiter.
mike-e offers an incredible performance transformer-coupled mic preamp, whose noise floor is far below any microphone’s self noise. the one-of-a-kind ‘compsat’ section is an uncompromising compressor and saturator circuit that offers versatile ‘coloring’, and classic knee compression.
mic preamp section
this is a super low noise transformer input amplifier section, with
the gain digitally controlled. this section comes standard
with a shielded lundahl transformer, but provides for a jensen
transformer also.
the signal to noise far exceeds any microphone in existence, typically over 130 db with the input shorted and 40db of gain. having used many mic preamps over the years, we have implemented a unique stepped gain control that should be impervious to the normal flakiness that age causes to pots and detented switches.
counting the output gain of 14 db, a total 74 db of gain is available to the user with the compsat section bypassed. a 48 volt phantom power is provided for condenser mikes.
exclusive compsat™ section
this unique circuitry sets the mike-e apart from all other mic
preamplifiers. it has four sections:
saturator – this is a multi-stage soft clipping
circuit. at lower levels, a triode type saturation affects
the signal. as the level increases, a second unique clip
circuit that includes germanium semiconductors starts to more
severely flatten out the peaks. an led named “bad!” indicates
harder un-musical clipping.
compressor – this is an uncompromising compressor/limiter
circuit that allows detented control of attack and release for easy
repeatability. you adjust the amount of compression with the drive
knob, which adjusts the level going into the compressor. in
ways it is distressor-like, but has other differing characteristics
including a much longer available attack time, and additional
circuitry. four ratios are provided, 2:1 being the gentlest
with a long 20db knee, good for subtle compression such as while
tracking or on the buss. ratios 4:1 and 8:1 are steeper but
still very smooth with long knees. nuke is very steep (limiter
like) and has a different attack & release shape.
emphasis - the emphasis is actually two circuits that
surround the compressor and saturator, as shown in the block
diagram. the pre-emphasis boosts the high fre before
the compressor and saturator (compsat), soft clipping them sooner
than normal, while a de-emphasis cuts the fre complementary
after the compsat. emphasis has the added perk of improving
signal to noise, and is the reason analog tape decks used emphasis
to begin with.
mix control - the modern recording engineer often employs the
technique of mixing between the compressed and the dry (or
uncompressed) signal. this can often help maintain transients
and a sense of dynamic range while enhancing the low level
nuances. mike-e has a built in mix control to submix in the
uncompressed signal to the compressed signal. as the user
rotates the mix control from full right to full left, he goes from
the full compressed signal to the full dry signal (absent of any
compression or saturation).
mike-e's seven circuits
mic preamplifier with super low noise & stepped gain
switching
built in ‘direct box’, called the ‘inst in’, offers
unparalleled distortion, noise, and frequency response when
pre-amping instruments
‘colored’ 80hz high pass filter emulates the warm low
frequency cut of our favorite vintage e
phase switch to invert the audio signal 180 degrees
compsat offers both a musical compressor/limiter and a unique
tape-like saturation circuit
emphasis high-frequency emphasis system softens high
frequency ‘pile-ups’ and further the creamy color of the
mike-e
mix control allows the blending of the compressed/saturated
signal with the clean unprocessed “dry” signal
specifications:
•freq. response is 3 hz to 200 khz on (no compsat). compsat
is 3hz – 150khz. optional transformer output is 6hz–80khz
•signal to noise - 130 db signal to noise.at 40db gain.
maximum output is +28dbu
•distortion ranges between .0006% and 15% depending on mode
and settings
•transformer coupled input, active and transformer outputs
available - high audio caps used internally
•input impedance is 600 ohms. output impedance is less than
38 ohms
•attack/decay ranges - .9 – 100ms attack. .15 – 1 sec
•power consumption – 15 watts max
the empirical labs lil fre complete, precise,
professional e in a compact, 1u rack box. the lil
fre "colored" low frequency shaping, smooth shelving, and
four bands of the surgical parametric eq that engineers depend on
time after time. all of this power comes with nothng but the
absolute highest performance.
the e hp - the high pass section is a sharp filter that
cuts all content below one of eight pre-selected fre.
empirical labs calls this particular filter a "colored" filter
since it is very steep and has a special shape that prevents
thinning out fre just above the cutoff fre the
corner frequency is indicated by leds that glow softly when the
section is bypassed, and brightly when the section is
engaged. as with all the e in the lil freq, there is
a dedicated bypass switch.
high and low shelving - these are very similar to your standard
"tone control", but extremely high performance, providing
exceptionally smooth boost and cut on the "bass" and "treble"
fre.
parametric e - there are four sections of fully
parametric eq... possible the cleanest parametric e ever
produced - operating below 0.0007% thd at extremely high audio
levels.
dynamic e - the ds section combines filters with a
compressor-like circuit that can help contain and control excessive
high frequency content such as sibilants, especially in the absence
of other lower frequency content. there are two modes of
operation, with threshold control as well as a frequency select
control. there are four leds that indicate the amount of gain
reduction: -1db, -4db, -8db, -12db. the ds section provides
the highest performance, easiest to use, and most natural de-esser
ever built, as well as a one of a kind, soft-knee high frequency
limiter.
- 北京麦田数码上海乐展北京麦田上海乐展盛况麦田分三个展区有母带区,混音区,模块区,具有代表性的母带监听系统音箱lip...
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